NPR has amended its Sept. 25 report on Hollywood’s dueling open letters over an Israel film boycott, clarifying that Selena Gomez and Pedro Pascal did not sign the pledge to shun Israeli film institutions. Getting the names right matters — especially when lists of “who’s in, who’s out” become the story. But the larger takeaway isn’t celebrity bookkeeping. It’s that cultural boycotts aimed at Israel are the wrong tool for the moment.

The Guardian has amended coverage of the suspension of Jimmy Kimmel’s late-night show, after wrongly stating that US Federal Communications Commission (FCC) chair Brendan Carr had raised censorship concerns during an appearance on The Bulwark podcast.

In fact, Carr’s comments were made in an interview with conservative commentator Scott Jennings.

The New York Times has issued a correction to its profile of Chris Dercon, managing director of the Fondation Cartier, after misstating two basic but significant details: the size of the institution’s new Paris home and the position of its president.

The article, published on September 15, initially described the new building opposite the Louvre as 86,000 square feet. In fact, it is 91,500. It also incorrectly identified Alain Dominique Perrin as the Fondation Cartier’s director rather than its president.

The Guardian has corrected two errors in its reporting on this year’s Venice Film Festival, acknowledging that Gianfranco Rosi — not the late Francesco Rosi — directed Below the Clouds, and that jury member Fernanda Torres’s first name was initially misspelled.

While the error may seem inconsequential — a slip between two directors sharing a surname — its resonance is wider.